Vol. 26, No. 1 |
Spring (April-June)
2002 |
The Friendships of Women
A review of two novels by Anita Diamant --
The Red Tent (New York: Picador/St. Martin's, 1997),
and
Good Harbor (New York: Scribner's, 2001).
Reviewed by Linda Bieze
In an author reading I attended last January
in Concord, Massachusetts, Anita Diamant told listeners about her
work as a novelist. When the syndicated columnist and author of
several successful non-fiction books about being Jewish, including
Choosing a Jewish Life (New York: Schoken, 1998) turned 40,
she was ready for a career change. She decided to become a
novelist.
Her first two novels, The Red Tent and Good
Harbor, show that she is quite successfully managing her
career change. Though vastly different in setting, story, and
style, both novels deal with the theme of women's friendships -- a
delectable topic, for, as Diamant said at the reading in Concord,
"Women's friendship is the chocolate of life." She told
the audience that her non-fiction books have all been about
"making choices as a Jew in a non-Jewish world," and
readers of her fiction can see that she continues to write about
this topic in her new career as a novelist.
The Red Tent is historical fiction, an
extended midrash on the biblical story of Dinah, the daughter of
Jacob and his wife Leah. The sparse biblical account of Dinah,
found in Genesis 34, gives the male perspective on events: Dinah
becomes friendly with the Canaanite women and then their prince
rapes her, so his father and Jacob negotiate a marriage, with all
the Canaanite men agreeing to be circumcised in order to
"live among" Jacob's clan. But Dinah's vengeful brothers
attack the city while the men are still recovering from their
surgeries, kill them all, and plunder the city. Their
justification: "Should our sister be treated like a
whore?" And that is all we learn of Dinah from the
Bible.
Diamant tells the story in Dinah's own voice,
who says she wants to reforge "the chain connecting mother to
daughter" and set straight the record that was distorted by
men.
The story is in three parts. In Part One,
Dinah, who in effect has grown up with four loving mothers who all
treasure her as the only daughter, tells the story of how Jacob
came to work for their father Laban and eventually married all
four of them -- Leah and Rachel, and bondwomen Zilpah and Bilhah.
Every month for three days during the new moon, the women of the
clan gather in the red tent to be apart during their communal
menstrual cycle. During this restorative time, the women sing
songs, eat triangular cakes baked in honor of their goddesses,
Innana and Asherah, and share their stories with each other. When
one of them gives birth, the whole community of women joins her in
the red tent to help in the birthing process. When a girl has her
first blood, the women welcome her into their community with wine
and songs and a ceremony to open her womb using a frog-shaped
goddess image.
Laban worships other gods than those of the
women, and Jacob brings his father's worship of El, along with its
bloody ceremony of circumcision, to the clan. But the men do not
know -- or care to know -- what gods are worshipped in the red
tent, as long as the women show respect for the cruel rituals of
El and allow their sons to be circumcised.
After telling her mothers' stories, Dinah
shares her own story in Part Two, including her childhood
companionship with Joseph, the youngest and only son of Rachel,
Jacob's decision to move his clan back to his father's country,
and their meeting with his brother Esau's clan on the way. Here,
Dinah meets Tabea, one of Esau's daughters, who becomes her first
female friend. But the women of Esau's clan do not have the
community of the red tent, which lets ill will grow among them and
also angers The Grandmother, Rebecca, who is revered as a
prophetess. When Tabea has her first blood and is isolated like an
animal, rather than honoring the goddess in ritual, Rebecca curses
Tabea's mother and disowns the girl.
Dinah becomes especially close to her
aunt-mother Rachel, who serves the surrounding community as a
midwife. While assisting Rachel in delivering a child at the
palace in the Canaanite city of Shechem, Dinah exchanges glances
with the prince Shalem. For both, it is love at first sight. Dinah
willingly gives herself to Shalem. The prince's father offers
Jacob the "bride-price" to make Dinah his son's wife.
Jacob and his sons oppose the marriage, fearing that their little
clan will be swallowed up by the Canaanites. So they propose that
all the men of the city submit to circumcision in order for Shalem
to marry Dinah. To their surprise, the king agrees, because his
son so clearly loves Dinah. Then, when Shalem and the other men
are recovering, Dinah's brothers Simon and Levi murder them in
their beds and kidnap their sister when she awakens, covered in
her husband's blood. Back in Jacob's tents, Dinah curses her
father and brothers and walks back to Shechem to bury her husband
and bear his unborn child. The men of Jacob's clan have succeeded
in destroying the women's community of the red tent. In Part
Three, Dinah returns with her mother-in-law to Egypt where she
builds a new life, but never again finds the same community of
women that she grew up with.
In Good Harbor, Diamant tells a
completely different story of two modern women living in
Massachusetts who meet and become friends later in life. Joyce is
a successful novelist who buys a cottage on Cape Ann to use as her
writing retreat while her husband devotes himself to a career with
a high-tech startup. Kathleen, somewhat older than Joyce, lives
with her husband on Cape Ann and is battling breast cancer. Joyce
was raised a Jew; Kathleen, raised Catholic, converted to Judaism
when she married. The two meet at Temple and start a tentative
friendship that quickly bonds. The rituals of their friendship
include long walks at Good Harbor and other beaches on the Cape.
In one of these walks, Kathleen shares a feeling with which I
identified strongly, "It's been a long time since I made a
new friend. But I think that's mostly my own fault. . . . I'm so
private. I don't . . . what's the word? . . . disclose. Especially
if something's wrong. It was drilled into me that you don't put
your business out where anyone else can see it. It makes for a
lonely life. My grandmother used to say the Irish are a lonely
people. She said it with a kind of pride" (p. 145).
In alternating chapters, Diamant tells the
story of each woman's life. Despite their growing friendship,
Joyce is not fully there for Kathleen during her cancer treatment,
which pains Kathleen. And Joyce is growing apart from her husband
but cannot share this with Kathleen until a crisis occurs in her
life that tests and proves the friendship of the two women.
Throughout the novel, Diamant examines how modern women, who lack
rituals such as the red tent, work to create their own rituals.
Nevertheless, it takes a personal crisis for one of them to push
them to the next level of friendship, to greater openness and
sharing.
In addition to the theme of women's
friendships, both novels deal with the theme of choosing a
religion -- the women of Jacob's clan choose to worship their
goddesses, rather than El, to maintain their community; Kathleen
chooses to become a member of her husband's Jewish community.
Clearly, the God that women worship and the communities in which
women worship their God are unique and bind women, ancient and
modern, together in Diamant's world. In her talk, Diamant noted
that "It's not an accident that friendship develops in faith
communities in both novels."
When I consider my own friendships with other
women, I see how true this is. In the many communities of which I
am a part, including work, faith, and social circles, my closest
women friends and I talk about our beliefs about God and share our
own rituals of friendship and faith. I look forward to walking on
Good Harbor beach myself with Lee Ann, my friend from church. I
share prayers by e-mail with Susan, my friend from my first job
twenty years ago. I share family ties in our singleness with
Ellen, my friend from the community choir. I share the very
special water blessing ritual of EEWC with all of you at our
biennial conferences.
In her talk in Concord, Diamant said, "We
chose friends voluntarily, and we give them the gift of our
time." Similarly, I believe, we choose God as our Friend,
just as much as God chooses us, and we give God -- whether we know
God by the name Mother, Father, Jesus, or Spirit -- the gift of
our time and our selves. Diamant's novels can give us new insights
into friendship with women and with God.
Linda Bieze,
EEWC Coordinator for 2002, is a writer and editor who lives in
Arlington, Massachusetts.
© 2002
Evangelical and Ecumenical Women's Caucus
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