Vol. 26, No. 1 |
Spring (April-June)
2002 |
The Secret Life of Bees
by Sue Monk Kidd
New York: Viking Penguin, 2002
Hardback. $24.95.
Reviewed by Rebecca
Laird
All Lily Owens has of her mother fits into a
brittle paper bag discovered in the attic. A photograph, some
gloves and a small wooden picture of a black Madonna are the spare
clues this Southern fourteen-year-old must unpack to make sense of
her secret-riddled past. Add some bees, introduce the irresistible
beekeeping Boatwright sisters, stir in some honey-laden Southern
cooking, and you'll have the recipe for The Secret Life of Bees.
Before turning to fiction Sue Monk Kidd
authored the widely acclaimed When the Heart Waits: Spiritual
Direction for Life's Sacred Questions and Dance of the
Dissident Daughter: A Woman's Journey from Christian Tradition to
the Sacred Feminine. Her previous books showcased her
first-rate storytelling skills as she explored spiritual
disciplines, Jungian psychology, and the sacred feminine.
Now the content of her previous books has
become the air breathed by Sue's fully-drawn characters. My
favorite is May, a woman so vulnerable that she builds her own
private wailing wall where she can tuck in scraps of paper from
her wounded life and suffering world. Only Rosaleen, Lily's nanny
who sets their journey in motion when she tries to register to
vote, remains an enigmatic character -- one whose audacity and
childlikeness seem at odds within her abundant skin. August
Boatwright, the chief beekeeper, is worthy of every book lover's
admiration. In many ways August is the divine mother in human
form.
The story is set in the South in 1964 just as
the Civil Rights Act is passed. Race, gender, and coming of age in
a time of turmoil provide a verdant backdrop for this classic tale
of a motherless child who goes in search of love and nurture in an
often unforgiving world. Lily's voice provides a perfect mix of
innocence and humor for describing the pains of self-discovery and
spiritual longings that just aren't always met in her father's
Baptist church. When Lily first sees the three-foot tall statue of
Mary in the Boatwright's living room, Lily says, "The lips on
the statue had a beautiful, bossy half smile, the sight of which
caused me to move both my hands up to my throat. Everything about
that smile said, Lily Owens, I know you down to the
core."
The movie rights to this first novel have been
optioned, and I for one can't wait for the movie. Seeing August
move among her bees could be something near to a mystical
experience. An abridged audio version of the book is available and
Kidd's lyric use of language should make this a pleasure to hear
as well as read. More about the author's own spiritual journey and
how the story came from her deep imagination can be found at http://www.suemonkkidd.com.
A member of EEWC
since 1983, reviewer Rebecca Laird is ordained in the
Church of the Nazarene and serves as editor of Sacred Journey: The
Journal of Fellowship in Prayer, an interfaith spirituality
journal. To request a free sample copy go to http:// www.sacredjourney.org.
© 2002
Evangelical and Ecumenical Women's Caucus
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